#47-51 - Da det var galt med Spider Man 2 skrev jeg en mail til dem, og spurgte hvorvidt det var lovligt. Det eneste de sagde var, at de havde en aftale med deres distributør om, at varen ikke måtte sælges til under en given pris. Jeg prøvede også at kontakte forbrugerstyrelsen, men de svarede aldrig.
Jeg tror stadigvæk ikke det er helt lovligt.
"Og hvem vil ikke gerne guffe Klaus Kinski??" - evermind
#48 Nej kan desværre ikke checke specs, men tror at kun Battle of the Bulge og The Big Red One er de nye remastered versioner. De andre 3 er de gammelkendte versioner...vil jeg lægge hovedet på blokken på.
Wishlist hos Axelmusic: http://www.axelmusic.com/wishlist.php?uid=11140
Kan du ikke lige give en mini-anmeldelse af "The Big Red One" på et tidspunkt? Jeg har kigget lidt på den fra tid til anden, men er ikke helt klar over om den er værd at smide penge efter. :)
Tror ikke man skal vente på Big Red One - Reconstruction, bare købe den. Se her og uddrag herunder.
A grand-style, idiosyncratic war epic, with wonderful poetic ideas, intense emotions, and haunting images rich in metaphysical portent.
To see this seamless "reconstruction" - consisting of some 15 entirely new sequences as well as augmentations to 23 others - is to behold a masterpiece revealed.
Marvin's performance, much enhanced by "The Reconstruction," is a marvel.
Marvin's taciturn performance--a moving demonstration of masculine grace under pressure--may be his finest.
It's a terrific war yarn, a picture of palpable raw power which manages both Intense intimacy and great scope at the same time.
What the movie may lack in "Saving Private Ryan"-style gloss, it more than makes up for in authenticity, or, in other words, heart.
The combination of old-time Hollywood valor and ahead-of-its-time surprises makes this restoration a big event.
In some respects a less tidy film than before, particularly when it veers off into a subplot involving a Nazi soldier played by Siegfried Rauch, the new cut mostly retains the original's virtues while adding details and episodes that make it more recognizably a Fuller film.
The Big Red One, for all its uncompromising brutality, is viscerally, angrily alive. Fuller was lucky to survive the war. It is our good fortune that this film, a tribute to his luck (and to those who did not share it), has come back to life.
Fuller was never a poetic director, but in The Big Red One he finds what in himself was closest to lyricism. Fuller's movie is like flowers thrown on a battlefield in remembrance, and it makes the overblown war movies that have followed seem like cheap and tatty Veteran's Day poppies.
Hard-boiled, filled with action, held together by male camaraderie, directed with a lean economy of action. It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject. "A" war movies are about War, but "B" war movies are about soldiers.
Wishlist hos Axelmusic: http://www.axelmusic.com/wishlist.php?uid=11140
#51 filmz-Kadann 19 år siden
Prøv at skrive til Axel, før du maler fanden på væggen. Det kan jo være at det drejer sig om en simpel fejl. :)
#52 dyg 19 år siden
Jeg tror stadigvæk ikke det er helt lovligt.
#53 Razzia 19 år siden
203.130.225.34:3128
203.121.160.66:3128
203.115.81.201:8080
207.145.24.38:8080
203.115.71.10:80
206.240.24.21:3128
206.240.24.21:3124
203.110.79.252:80
206.240.24.20:3128
206.169.87.238:8000
#54 filmz-Bruce 19 år siden
#55 filmz-Kadann 19 år siden
Kan du ikke lige give en mini-anmeldelse af "The Big Red One" på et tidspunkt? Jeg har kigget lidt på den fra tid til anden, men er ikke helt klar over om den er værd at smide penge efter. :)
Hvis du altså har set den, that is.. ;)
#56 filmz-Bruce 19 år siden
#57 filmz-Kadann 19 år siden
Gut gut :)
#58 filmz-Bruce 19 år siden
A grand-style, idiosyncratic war epic, with wonderful poetic ideas, intense emotions, and haunting images rich in metaphysical portent.
To see this seamless "reconstruction" - consisting of some 15 entirely new sequences as well as augmentations to 23 others - is to behold a masterpiece revealed.
Marvin's performance, much enhanced by "The Reconstruction," is a marvel.
Marvin's taciturn performance--a moving demonstration of masculine grace under pressure--may be his finest.
It's a terrific war yarn, a picture of palpable raw power which manages both Intense intimacy and great scope at the same time.
What the movie may lack in "Saving Private Ryan"-style gloss, it more than makes up for in authenticity, or, in other words, heart.
The combination of old-time Hollywood valor and ahead-of-its-time surprises makes this restoration a big event.
In some respects a less tidy film than before, particularly when it veers off into a subplot involving a Nazi soldier played by Siegfried Rauch, the new cut mostly retains the original's virtues while adding details and episodes that make it more recognizably a Fuller film.
The Big Red One, for all its uncompromising brutality, is viscerally, angrily alive. Fuller was lucky to survive the war. It is our good fortune that this film, a tribute to his luck (and to those who did not share it), has come back to life.
Fuller was never a poetic director, but in The Big Red One he finds what in himself was closest to lyricism. Fuller's movie is like flowers thrown on a battlefield in remembrance, and it makes the overblown war movies that have followed seem like cheap and tatty Veteran's Day poppies.
Hard-boiled, filled with action, held together by male camaraderie, directed with a lean economy of action. It's one of the most expensive B-pictures ever made, and I think that helps it fit the subject. "A" war movies are about War, but "B" war movies are about soldiers.
#59 filmz-Kadann 19 år siden
Ok ok, godt ord igen. Den må ryge i indkøbskurven i maj måned. :)
#60 filmz-Bruce 19 år siden