Saa et andet klip her paa On Demand og hold fast, hvor er han og konen bare skarpe og laegger ikke nogen fingre imellem med hvad de mener om de forskellige politikere.
Har set flere programmer om natten hvor jeg ikke har kunnet sove, omkring det kommende valg og strejken i Hollywood, maaske skulle man lave en traad kun for det for det er godt nok noget, der optager dem meget.
Gene Kelly var nu heller ikke dårlig til ballet, som en del af starten bære en del præg af (her skal jeg lige indskyde at ballet ikke lige er min ynglings genre) men det her var sku yndefuldt.
Det bare alt det med skørt og ting det finder jeg ikke som en ynglingsting, ballet i små bider kan gå, men jeg tror aldrig ville ku klare og se en hel ballet hehe.
[url=
Oh jeg tror godt jeg ved min weekend skal gå med hvis jeg får tid *det er underholdning*
J. J: "This is one of my Favorite shots." Tom Cruise: "I just love this scene, and the set"
Jeg har lige et spørgsmål som sikkert vil lyde underligt. :)
Jeg har engang for længe siden set et dansenummer, med en gut som brugte en stok som en del af nummeret. Tror måske det var Fred Astaire, men er slet ikke sikker. I dette klip smider han flere gange stokken på gulvet og så kan han få den til at svirpe op i hånden igen. Altså fra gulvet af.
Hvordan gør han dette? Er der nogen der ved det..? :)
Nyeste anmeldelse: "The Thin Red Line" : http://bonysblog.wordpress.com/
#68 Excellente klip :) Hvorfor viser de ikke den slags på det kongelige :)
#69 Det er et af de mest gennemførte i [url= historien[/url]
Hvis selvtillid og perfektion har et navn, så er det Astaire i det klip!
Puttin' on the Ritz": Although Berlin's 1930 song was originally written for vaudevillian Harry Richman, it has become indelibly associated with Astaire, who also recorded it for Columbia in 1930. In this tap solo with cane, which was widely billed as "Astaire's last dance", the lyrics are updated, replacing racist[1] references to ritzy Harlemites with wealthy whites strutting their stuff up and down Park Avenue. The routine was produced after the rest of the film had been completed, and according to Astaire, it took "five weeks of back-breaking physical work" to prepare. It is constructed in three sections, beginning in a dull book-lined office with a tired-looking Astaire showing his years and dressed in a morning suit. Here Astaire delivers the song while executing a gentle tap and cane solo in mock slow-motion, in an amusing parody of his impending retirement. The song finished, he returns to normal speed and proceeds to dance around the office while executing an ingenious jumping cane routine which relied on a concealed floor trigger mechanism. Thus rejuvenated, Astaire sweeps aside a pair of drab curtains to reveal a chorus of nine Fred Astaires - achieved by filming two separate versions of Astaire, repeating them four times and interleaving them. The final section is a greatly speeded up repeat of the tune which accompanies a routine of spell-binding virtuosity for Astaire and chorus. In "Top Hat, White Tie and Tails" from Top Hat (1935), Astaire proceeded to machine-gun his chorus dancers with his cane. This time, Astaire joins his chorus in adopting a confrontational, at times almost menacing posture towards his audience.[2] In 1957, on the brink of yet another temporary retirement, Astaire wittily refers back to this routine in the self-parodying "The Ritz, Roll And Rock" number from Silk Stockings.
Wishlist hos Axelmusic: http://www.axelmusic.com/wishlist.php?uid=11140
#61 elwood 17 år siden
hmm har stadig ikke modtaget min Blade Runner, men vigtiger hvor dælen bliver min That's Entertaiment af.
Tom Cruise: "I just love this scene, and the set"
#62 filmz-Crystalstar1200 17 år siden
Naar men jeg jeg glaede mig til at se disse klip i din kaelder Bruce for jeg husker filmene fra den gang de blev vist paa tv.
*** Den Som Elsker Meget - Udretter Meget ! ***
#63 elwood 17 år siden
Tom Cruise: "I just love this scene, and the set"
#64 filmz-Crystalstar1200 17 år siden
http://goaften.tv2.dk/article.php/id-9671786.html
*** Den Som Elsker Meget - Udretter Meget ! ***
#65 elwood 17 år siden
Men hey det sku meget hygligt, kanon interview wrecking machine hehemanden mangler ikke selvtillid må man sige 8-)
Tom Cruise: "I just love this scene, and the set"
#66 filmz-Crystalstar1200 17 år siden
Har set flere programmer om natten hvor jeg ikke har kunnet sove, omkring det kommende valg og strejken i Hollywood, maaske skulle man lave en traad kun for det for det er godt nok noget, der optager dem meget.
*** Den Som Elsker Meget - Udretter Meget ! ***
#67 filmz-Bruce 17 år siden
#68 elwood 17 år siden
Kaptajn "jeg forsøger at rette op på hende"
[url= on 10th Avenue[/url]
Gene Kelly var nu heller ikke dårlig til ballet, som en del af starten bære en del præg af (her skal jeg lige indskyde at ballet ikke lige er min ynglings genre) men det her var sku yndefuldt.
Det bare alt det med skørt og ting det finder jeg ikke som en ynglingsting, ballet i små bider kan gå, men jeg tror aldrig ville ku klare og se en hel ballet hehe.
[url=
Oh jeg tror godt jeg ved min weekend skal gå med hvis jeg får tid *det er underholdning*
Tom Cruise: "I just love this scene, and the set"
#69 Bony 17 år siden
Jeg har engang for længe siden set et dansenummer, med en gut som brugte en stok som en del af nummeret. Tror måske det var Fred Astaire, men er slet ikke sikker. I dette klip smider han flere gange stokken på gulvet og så kan han få den til at svirpe op i hånden igen. Altså fra gulvet af.
Hvordan gør han dette? Er der nogen der ved det..? :)
#70 filmz-Bruce 17 år siden
#69 Det er et af de mest gennemførte i [url= historien[/url]
Hvis selvtillid og perfektion har et navn, så er det Astaire i det klip!
Puttin' on the Ritz": Although Berlin's 1930 song was originally written for vaudevillian Harry Richman, it has become indelibly associated with Astaire, who also recorded it for Columbia in 1930. In this tap solo with cane, which was widely billed as "Astaire's last dance", the lyrics are updated, replacing racist[1] references to ritzy Harlemites with wealthy whites strutting their stuff up and down Park Avenue. The routine was produced after the rest of the film had been completed, and according to Astaire, it took "five weeks of back-breaking physical work" to prepare. It is constructed in three sections, beginning in a dull book-lined office with a tired-looking Astaire showing his years and dressed in a morning suit. Here Astaire delivers the song while executing a gentle tap and cane solo in mock slow-motion, in an amusing parody of his impending retirement. The song finished, he returns to normal speed and proceeds to dance around the office while executing an ingenious jumping cane routine which relied on a concealed floor trigger mechanism. Thus rejuvenated, Astaire sweeps aside a pair of drab curtains to reveal a chorus of nine Fred Astaires - achieved by filming two separate versions of Astaire, repeating them four times and interleaving them. The final section is a greatly speeded up repeat of the tune which accompanies a routine of spell-binding virtuosity for Astaire and chorus. In "Top Hat, White Tie and Tails" from Top Hat (1935), Astaire proceeded to machine-gun his chorus dancers with his cane. This time, Astaire joins his chorus in adopting a confrontational, at times almost menacing posture towards his audience.[2] In 1957, on the brink of yet another temporary retirement, Astaire wittily refers back to this routine in the self-parodying "The Ritz, Roll And Rock" number from Silk Stockings.