Snaden (30) skrev:

Der kan du se, BN. Det skal nok gå alt sammen. ;)

http://douglastrumbull.com/ skrev:

I have been developing a new technical approach to digital photography and projection, which is now enabled by both digital cameras and digital projectors. For the sake of compatibility, I have used 60 as the most comfortable and compatible frame rate in order to retain long-term viability. However, I have been shooting at 120 fps, using a 360-degree shutter in the camera. This makes it possible to digitally merge any number of adjacent frames in order to recover the appropriate amount of blur necessary for 24 fps display. Keep in mind that the movie medium we are accustomed to has used a 160-200 degree shutter, resulting in the "texture" that we know as movies (not television). Having shot material at 120 frames with a 360-degree shutter, it is a simple and perfect conversion to digitally merge three frames into one, and delete the next two frames, thus resulting in a 24 frame movie without any artifacts, and while retaining the normal blur. This patented process will provide a compression of visual data that will bring immense improvement to the viewing experience, and also offers the unique opportunity to "embed" 60 fps object motion within a 24 fps overall "look", thus preserving the cinematic texture while enabling unblurred fast action.

Since most digital projection systems such as RealD use an alternating left-right cadence in their polarization technique, it makes sense to utilize this same cadence in photography as well. This way there are virtually no artifacts in projection, and what is perceived by the viewer is as close to reality as possible. Thus, it is possible to delete every odd or even frame from a dual stream of 120 fps material, so that a perfect temporal sequence of motion is viewed, while also providing 3D without any objectionable artifacts. Other current processes such as that being used by Peter Jackson have missed the important factor that the only way to get a real improvement is to stop double-flashing the frames, as will happen with the HOBBIT.

Hobbitten nærmer sig, og flere gæster har spurgt om vi viser den i 48 Bill/sek. Efter at have set en række testfilm i Las Vegas og London, mener vi ikke det giver en større oplevelse; vi har allerede ypperlig
3D teknologi, og de færreste vil være istand til reelt at se forskel. Det er mere et reklamestunt, end en reel
teknisk billedforbedring. Hobbitten er den eneste film på markedet med 48 bill/sek, så vi afventer gæsternes reaktion, før vi bestiller den optimale løsning, som er 60 bill/sek.